Local Art Walk

The Sacred Offering

sacred offering.jpg

Isabel Figueroa, 2020

Corner of Horne St and Civic Center Blvd, on Civic Center Blvd at Northern Pine Brewery
Part of the Art That Excites program by MainStreet Oceanside

📸 2023 © Brigid Parsons (except image with artist)

“The Sacred Offering,” Figueroa's first mural, is a tribute to the women of Oceanside’s Eastside Pozole Neighborhood.

The day Isabel Figueroa completed her mural she walked us through the amazing meaning behind her work. “The mural tells a story about a woman named Anita Cruz Romero who moved to California from Mexico in 1910 and was one of the first residents in the Eastside neighborhood. In order to make more money for herself and her son she began to make and sell pozole; walking around the neighborhood shouting ‘pozole!’ Attracting many people near by they came together as a community and the neighborhood later became known as Eastside Pozole. One hundred years later this is how many locals still refer to the neighborhood as Pozole and this mural is a tribute to that very woman who brought a whole community together with the power of her famous soup. She is depicted pouring the bowl of soup that later extends into a serpent who is an Aztec god by the name of Quetzalcoatl. He is a creator god born of the deities Ometeotl which is the image depicted at the center of the mural. Ometeotl was chosen as a symbol of the good and the bad that happens in the neighborhood as Ometeotl is about duality. The two women on each side represent motherhood, taking care of each other and the wisdom and strength that comes with age. The eagle at the top is representative of Indigenous Mexican roots because the Mexican flag has a golden eagle at the center and the eagle holding a snake is the marker of where the Aztec settled to build their empire.” ⁣- Isabel Figueroa

 

The ethics of covering someone else's art with yours

Newspaper article regarding covering a mural, specifically inspired by the south wall of Masters Kitchen and Cocktail.

The ethics of covering someone else's art with yours
Would a tiki offend Oceanside Samoans?
The San Diego Reader
by Ken Leighton
Nov. 15, 2019
https://www.sandiegoreader.com/news/2019/nov/15/stringers-ethics-covering-someone-elses-art-yours/#

Oscar-winning artist John Lamb is not happy how his “beach-billy” mural was painted over.
“It looks like somebody scribbled over my art,” says Lamb about how a new mural replaced his hundred foot hand-painted art-piece on the side of Masters Kitchen and Cocktail on Coast Highway in downtown Oceanside.

Oceanside-based Lamb won a 1979 Academy Award. “It was in the scientific and technical achievement category. We were there at the beginning when digital animation was combined into film…My son who lives in L.A. and is in the movie business has [the Oscar]. Down here, who cares?”

Lamb says his Secret Spot short from 1973 was the first animated surf film. Since he moved to Oceanside in 1986, Lamb has created murals for the California Surf Museum, Legacy Brewing, Anita’s and Tri-City Transmission. His whimsical work often incorporates his love of classic So Cal surf and car culture.

“I spent five weeks painting it,” says Lamb of the Masters mural. “I used a digital projector and a scissor lift. He spent three days to make a bunch of squiggles to cover it up.”

Art, especially public art, can be a touchy topic. The artistic value of the replacement mural is clearly in the eye of the beholder. It was painted by Cardiff-based artist Santos in his “Maya Pop” style. Lamb says the coverup was a professional no-no.

“Any artist worth his salt would know better than to paint over someone else’s work,” says Lamb. “It’s the law of the jungle.”

“I made it very clear I would never do anything like that without permission from the artist,” says Santos from his Carlsbad studio. “I was approached by Ryan [Jubela, owner of Masters] and Dinah [Poellnitz, arts supporter] to do it and I told them I can’t start until I know you guys contacted him. They said ‘Oh no, he’s cool.’ They confirmed with me he was OK with it. I got the materials and lift myself and banged it out in six days.”

Only problem is that Lamb says he never spoke with Master’s owner Jubela about it and he says he certainly never gave Poellnitz the OK. “I never had the chance to give my approval,” says Lamb. “I was told they were going to do it. I wasn’t happy about it, but it’s not my building so I have no choice.”

Three months after the cover-up, Lamb is still not happy. “This person waltzes in out of nowhere to destroy a piece of art,” he says of Poellnitz. “It’s like she took a knife and cut off a piece of my ear. It’s like she killed one of my kids.”

Lamb says Poellnitz actually got insulting. “Dinah said the mural was offensive to some people in the neighborhood because the tiki in it might offend Samoans. First of all, tikis are part of the Polynesian culture. It’s like confusing Japanese with Chinese. Besides there are tikis everywhere. Who is she? What gives her the authority to wipe out local culture.”

Poellnitz says she did speak with Lamb. “We hunted him down and we had a conversation.” Besides, she says that Master’s landlord Jubela agreed that his wall should be turned into a “rotating mural project to showcase a diversity of art…Not all artwork in Oceanside is about John Lamb. Besides, in five years he never even finished that mural.”

“If I signed it, it’s done,” says Lamb. “That’s outrageous. Of course it was finished.”
Poellnitz says she grew up in Oceanside and worked in L.A. after she got a dual degree in art history and art administration from UC Riverside. Once she moved back to North County she said she helped launch Oceanside’s Art Walk weekly event and now curates art shows at the Linksoul on Coast Highway.

“Our goal is to expose people to more art. We did pop-up art shows for years before we came to Linksoul. I truly believe Oceanside can be a vital place for artists. [At Linksoul] we don’t treat artists like coffee shop artists. It’s all about getting exposure for artists and getting artists paid.”

Masters owner Jubela says he has no comment about the kerfuffle between Lamb and Poellnitz.
Ironically, Santos who said he has done a full city block of public artwork in Saudi Arabia, says he was not paid for his Masters mural. In fact, he says he would happily paint another mural in Oceanside and not charge for his art. “I don’t charge for murals. If anyone would like to pitch in for the paint or the lift, that would be cool.”

Santos says artists have it good now. “I am pleasantly surprised how urban art has taken over North County. Artists can still go and do what they want without too much control over what they do.” Santos says he and his artist friends see mural art as ephemeral, not permanent. “Urban art is not a museum piece. You do it to get your wiggles.”

The closest thing Oceanside has to public-sponsored murals is the Art That Excites project administered by Mainstreet Oceanside. Program manager Gumaro Escarcega says Mainstreet got two $6,000 grants paid to two different artists who will paint two outside walls on the Northern Pine Brewery building on the corner of Horne Street and Pier View Way.

The first mural “Yin Yang Dragons” will start going up next month. Its artist, Gloria Muriel of Encinitas, was selected by a popular vote. Escarcega says the second artist, Oceanside’s Isabel Figueroa, was specifically selected to create a past-and-future depiction of Oceanside’s Posole neighborhood at the request of local Latinos. He said Mainstreet aimed for a local artist and a local theme for that second grant.

Escarcega says it is his understanding that in Oceanside any private property owner can commission his own mural as long as it is not an advertisement and that it is not derogatory.

Oceanside born-and-raised BB Bastidas has at least eight murals on the outside of local businesses including the Flying Pig, The Pour House and The Cup. “When I started, it wasn’t even a thing in Oceanside.” He says he now divides his time between Oceanside and his studio in Manhattan, New York. His latest local mural was the side of Fat Joe’s restaurant and bar that shows a serpent wrapped around a power line and a palm tree. Bastidas says he has never had to get permits.

“When I grew up here it wasn’t like it is now for artists in Oceanside,” says Bastidas. “It was all skateboarders or surfers or gangbangers. Now it’s getting more artsy. It almost seems to me that street art has already peaked.”

Regarding the Masters tiff Bastidas says: “There’s enough walls in Oceanside to where you don’t have to paint over other people’s walls.”